Copyright © 2012 Mary Hughes
All rights reserved
“Ah, modern conveniences.” The man had stopped,
and
now stood, handspulling her to the side of the narrow street. He
planted big fists on his narrow hips and
grinned at the oncoming truck.
It was a Seven‑Eleven [MH2] city ‑size
supply truck, piloted by the worsta driver Vickie
had seen since she’d been in driver’s ed.
The driverwho must have stolen it. He seemed to
be almost gleefully running men down, and the soldiers had to be quick to stay
out of his way.
“This is our chance,” the man said to
her.
“You can’t possibly mean…” Vickie
stared at the oncoming truck. “If we get even close to that thing we’ll almost
surely be killed!”
“If we stick around here, the
probabilities are even greater.”
He was right. The
soldiers started regrouping almost instantly afterregrouped
the moment the demented truck driver had passed, raising their. Their
rifles raised for a shot. As soon as the
truck passed her and her rescuer, the couple,
theirmen’s aim would be clear….
The truck careened down the street. No sign ofCursing and wailing
rose from behind. Vickie knew they’d been surprised to see the two
foreigners remainedgone.
“This is insane!” Vickie She clutched
the small hand‑holdshandholds
with a death‑grip. “This is insane!” she screamed between
gritted teeth.
The man hung next to her, his hair
blown backartfully by
the wild speed. His face
was impassive. Wonderful. , his
eyes sparkling and his grin almost rakish. Programmers on a pogo stick.
Here she was, barely hanging on as a madman truck driver tore up the streets of
Middle Yemen, and this guy looked like an ad out of GQ.
Vickie reached out a foot to kick him
in his complacency, but the wind caught it and threw her off ‑balance.
Her grip was torn and she felt herself falling.
She rolled off the truck and into
something hard. Ooof. Dazed, she sat up and looked around.
But she’d have bruises.
She stared in disgust at her arm, where even now purple flowers were starting
to blossom. Stupid translucent skin.
“Get up.”
He stood, nonchalant, against the
night sky. His hands were open on his hips, and his
legs spread and stable, like the trunktrunks
of some great tree. Vickie felt
the herVickie’s heart beat hardstarted
hammering, and some how she didn’t think it was from running. Slowly,
so he wouldn’t see how she was trembling, she rose.
He moved aside then, and pointed. Behind
him, stars twinkled in the sweltering
heat, glittering off the gentle swell of black sea.
“It’s a port!”?”
Vickie exclaimed. said.
The man didn’t say a word, just
nodded.
“Is that where we’re going?”
“Wait!” she cried, tryingShe
tried [MH4] to kick him in the rear but missingmissed
by several inches of now wished‑for height. “Put me down. I can walk! .
Just put me down!”
He did finally put her down,
in the hold of a large ocean freighter. “This ship is bound for Boston
harbor. . You should be able to get home from
there. Stay here with Kul until the ship is under way.
Then, then go to the captain. Use my name.
He’ll see you to safety.”
“Wait a minute,” she called as he
swung out through the hatch. “What is your name?”
He barely glanced back over his broad
shoulder. “Cliff.”
Chapter 2
“Cliff. Great. Simply lucking fuvely[MH5] . ‘Hello,
captain, yes, I know I haven’t booked a passage and you don’t know me from
Adam, but, hey, it’s okay. Cliff said so.’“ ”
Vickie felt her way through the barely‑ lit hold to leaned
against a nearby crate, where she sat. .
“That’s sure to get me the red carpet treatment. Cliff!” She swung her legs carelessly against the
crate, consciously letting go of the tension of the past two days. She had been fortunate, after all.
He loomed up in her memory as big as
he had loomed in her sight. She rarely gave in to fantasy, but, after all, she
would never see the man again. So she let her mind play over her first
astonished sight of him, the dim lighting cutting deep grooves in his sleek
torso, of the feel of the weight of his body on hers, his hand, tangled in her
hair, his mouth, sweet on hers, his tongue…
“Hello, young lady.” The pleasant
baritone voice did little to calm Vickie’s nerves. came
from her right. She whirled, ready to fight or flee.
A slim, middle aged man faced her. “Please,
Ma’am,
comemiss. Come with me. Cliff has arranged…” for—”
“You know Cliff?” she broke in, excited. Excitement
overrode her fear. Now maybe she would learn something about her fantastic
rescuer.
“Of course. It was Cliff who brought
me here. I am Prince Kulinahr. But please, we must…”—”
He gave a short bow.
“No longer ruler, I’m afraid. But alive, at least for the moment. We
must hurry and hide now. . All
ships leaving Misr are searched before clearing the harbor. Come, Cliff has
made arrangements.”
Kulinahr led Vickie between crates,
bales and bags to a largish crate marked with stencils—“ “SAND
SAMPLES— ‑ DO NOT
DROP”. One side was open. “Quickly, come. Come
in and help me close the crate.”
Grim,
tired lines etched into the former ruler’s
unshaven face;, lines
that weren’t in his official photographs. His suit was dusty and torn on one
side.
Kulinahr picked up the lantern,
and looked closely atran it along
the bottom corneredge where
they had closed the crate. He gave a small sigh of satisfaction, set
the lantern down, and pulled hard on a thin white cord. snaking from the same corner as the lantern
had occupied. A pungent smell crept through the crate. “Pepper.” said
Kulinahr, straightening. He straightened.
“Fahrrad uses dogs in his clearance searches, ostensibly to search for drugs. Pepper
will block their sense of smell for days, yet it’s harmless.”
Vickie sat carefully on the rough
wood. of the crate’s floor. Kulinahr
sat down opposite her. Then he and turned
out the light.
[MH1]Saw,
felt, heard are filter words that distance the reader from the POV character
and so the story. Cleaner to cut.
[MH2]Although
fair use allows artistic fictional representations, this name wasn't really
necessary.
[MH3]While
anger and resentment make good conflict, it can also make the heroine look
petty. These days I like to save anger for the high points.
[MH5]Swearing
is good emphasis, but too much can numb the mind. I like to get inventive with
my swears.
[MH6]This,
and the several paragraphs which follow, is backstory, that is, stuff that
happens before the opening of the story. There's a rule of thumb that all
backstory should go no earlier than page 30 so I hacked it out and made it its
own scene later. In doing so I sacrificed some information that was needed for
grounding the reader in the current setting. What can I say? I'm still working
at it ☺
[MH7]The
problem with backstory to me is that it has a real "wah-wah-wah"
feeling, that is, it pulls the reader out of the action with a "Thank you,
Ms. Exposition" You know, the friend who, at the start of the movie leans
over and says, "You think that's the hero but he's really the
villain." and you want to smack them.
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